Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Wednesday, July 20, 2016

My top 10 favorite rappers/MCs/DJs

Links are to youtube or vimeo (*cough* Jay-Z on Tidal *cough*).
They're mostly NSFW lyrically.

In no particular numerical order, except via tiers:

S
1. Biggie
2. Gift of Gab
3. Q-Tip and Phife Dawg
4. Rakim

S-
5. Nas
6. Killer Mike
7. Jay-Z
8. Nelly
9. André 3000

A
10. Tupac
11. Nicki Minaj
12. Lil Wayne
13. Boots Riley
14. Eminem

I'll recognize the unquestionable brilliance of others such as Mike Shinoda too. I like Linkin Park and Fort Minor, sue me.

This list brought to you because I just watched Lin-Manuel Miranda do his top 5.

The criterion was personal preference, lyricism, and sound (generally). I concede my taste is confusing, inconsistent, questionably informed, and ordered unconventionally. I'm a fan not a head and I can't speak very intelligently about hip hop but I've had many good recs from my friend Dan Lee and Jesse Thorn (Bullseye).

Updated 29JUL2026.

Thursday, June 16, 2016

One last Hamilton gush

Look. I've been listening to the soundtrack of Hamilton for weeks, after my friend Courtney eventually got through to me and INSISTED for reals that I check it out.

Finally, a few minutes ago, I took a moment to watch a bit from the Tony Awards. Blown. Away.

Get. It.

Note, not to be confused with the Hamiltonian. Or Hamilton, Ian. Words are fun. So says Lin-Manuel.

Wednesday, December 16, 2015

Silly Songs with Squad

My friends Lauren and Maddie joined in to help keep the beat by playing the tops of a couple of pots with some spoons at YL club this week. IT WAS DELIGHTFUL.

It seems like even though I always practice for the entire week beforehand, there's always something that distracts me when I'm playing in front of kids and causes me to miss a chord, or more. It could be the unnecessary sunglasses, the hilariously mistimed clanging pans, the small print, or really anything else I suppose.

I guess I really don't care, unless the kids don't like it. My philosophy remains:
Look like a fool in front of the kids, if it will contribute to their self-confidence or help them feel like they fit in and belong.
Anyway, it was fun and I found this song in the bumper music on the "Free Beer and Hot Wings Show." It's a really good song. Pretty old. From a British band.

"Airplane Song" by 'the Royal Guardsmen':


Unrelated, but this was the first time I ever just sat down and recorded something that I was ~happy with in the first take.

Wednesday, November 18, 2015

Party in the U.S.A. in the style of James Earl Jones

An unlikely title at best.

I was going to do PITUSA by Miley Cyrus on my ukulele for YL club during "Silly Songs with Steve" on Monday. I'm still going to. Last week however, two of my friends (both named Maddie) were talking in deep voices rather hilariously, and that got me thinking about how I might make this song sillier.

Enjoy? That may be impossible. Either way, here it is:


Wednesday, November 04, 2015

Silly songz

In prep for a skit during club in a few weeks I was practicing and revising the chords/words of Jon Cozart's 'After Ever After.'

This is that:



Expect more silly songs to come (and be included in my 'Swear with your Friends' album). No swearing plx.

Thursday, July 09, 2015

Sneeze at the Sun

I wanted to get more serious about recording music, so I decided to do a little cover album of some of my favorite songs using my baritone ukulele exclusively.  The result is "Sneeze at the Sun," a humble little offering that taught me a lot.  Forewarning, my voice is very "eh," but I refuse to doctor it...sorry.

Music recording is fun.  All you need is a snowball and some audacity.



Schwarz zu Blau has been one of my favorite songs since my coworker Dirk introduced it to me in 2010 when I worked at BI.  Peter Fox and Seeed were some of his favorites, along with die Fantastischen Vier.  I've been rapping it (when I'm alone) since that summer--it seemed like something fun to set to ukulele.  It was also really helpful in expanding and developing my ability to converse in German.  I learn new things every time I pick up a new song.  The Berlin hiphop/reggae scene is strong.  Check out Marteria (YT) if you like Peter Fox.
[lyrics][youtube (Peter Fox)][my cover]

I Walked from The Age of Adz is from the point of view of a former lover--the things they want to say, but can't.  It might be from separation or from death.  Either way, it's beautiful and hauntingly poignant--easily my favorite song from the album.  I listened to it a lot in college.  This is my acoustic, and much faster version.  I'm still not sure what to think about the speed.  Some days I wish I had slowed it down, other days I like it zippy.  Whatevs.

I got a kind of ethereal voice effect by simply recording 4 tracks each for the right and left sides (I sang it 8 times--you have to be careful to sing it almost identically each time if possible).  I did this with all of the vocals on my album, but only this one has more than 1 vocal track for each side.  This technique also helped me overcome the difficulty in covering Sufjan, because his voice is wayyyyy better than mine--it enables you to kind of average out your voice over a few takes to make it sound better when they're combined (it's all my voice undoctored, but layered over top of other takes).
[lyrics][youtube (Sufjan Stevens)][my cover]

Hallelujah is one of the first songs I grew comfortable playing on my first uke and I love just playing and singing it whenever.  Cohen's original and Buckley's cover are my favorites.
[lyrics][youtube (Buckley)][youtube (Cohen)][my cover]

Free Fallin' by Petty brings me back to high school and Young Life and much of what is good from that time.  Free Fallin' reminds me of when I learned to love well from my friend Justin.  It brings back people and emotion and silliness--I still want to glide down over Mulholland.
[lyrics][youtube (Tom Petty)][my cover]

Mighty to Save is one of those songs that describes me at multiple points in my life--how I feel about myself and interact with others.  If I had a mission statement about how I viewed my life as a Christian, this could be it.
[lyrics][youtube (Hillsong UNITED)][my cover]

Black Sun was introduced to me recently by my friend Nate.  It struck me first because of the melancholy chords--I live off sad dark sounding songs--and stuck with me due to the way it describes the complexity and grey of our lives.  Life is paradox and Death Cab doesn't try to explain it; lack of explanation gives this track meaning and power to me--it's failure and hope.
[lyrics][youtube (DCFC official)][youtube (DCFC acoustic)][my cover]

Wednesday, May 27, 2015

Sneeze at the Sun [preview]

I'm putting together a little cover album.

Right now I plan to have 6 tracks.  I kind of fell in love with playing my baritone ukulele this spring (sorry my beautiful little tenor, but you cannot compete), so I wanted to record some stuff with it.

The songs have all been pretty important to me at some point in my life; they are a mix of five secular songs and a religious one.

Here's a little one-track preview--Schwarz zu Blau [lyrics] [English] (original):

{Philipp Poisel cover}
{Hämatom cover}

Track list:
1. Schwarz zu Blau (Peter Fox)
2. I Walked (Sufjan Stevens)
3. Hallelujah (Jeff Buckley cover of Leonard Cohen)*
4. Free Fallin' (Tom Petty)
5. Mighty to Save (Hillsong United)
6. Black Sun (Death Cab for Cutie)

*Note: skip listening to mine and just listen to theirs over and over... 

The album should be done this summer.   If you want to give me feedback let me know and I'll share a couple as they are.

I'm working on some original stuff too, but there's still a lot of progress to be made on that end.

Wednesday, May 13, 2015

Marteria

I've been on a little German R&B kick.

My housemate was talking about German music, so I went through mine yesterday and gave him all I had.  It turned to be quite a bit.

I'm also working on a 'lil project regarding Peter Fox's "Schwarz Zu Blau" that I was on Genius for--and the same folk that produced "Schwarz zu Blau", the Krauts, produced "Sekundenschlaf" by Marteria, who I already knew a little about.

So, naturally I go to check out "Sekundenschlaf (Ft. Peter Fox)":

The song is about how time passes--and we're usually pretty impatient about how it's passing--we want to be older, younger, different than we are.  But we can't and be happy/enjoy the moment.  Yup.

Marteria tells the future of our generation: "Jede Oma in Berlin hat'n Arschgeweih."
Every granny in Berlin has a tramp stamp.

While I object to the "tramp stamp" phrase as an oppressive term of the patriarchy, I do find this song hilarious and probably true.

The first song by Marteria I heard was "Kids (2 Finger an den Kopf)":

Pretty hooky.  I love the lyrics--it's about how no one goes out and does anything fun anymore.  Everyone has small dreams and loves Bayern, for example (my translation, sorry for errors):

Alle mähen Rasen, putzen ihre Fenster
Everyone mows the lawn and cleans their windows

Jeder ist jetzt Zahnarzt – keiner ist mehr Gangster
Everyone's a dentist--no one is a gangster

Keiner fälscht mehr Stempel – alle gehen schwimmen
No one forges stamps--everyone goes swimming

Jeder steht jetzt auf der Liste – niemand geht mehr hin
Everyone has a schedule--no one goes out any more

Keiner will mehr ballern, treffen um zu reden
No one goes bangin, they meet to chat

Keiner macht mehr Malle, alle fahren nach Schweden
No one goes to Mallorca, they only travel to Sweden

Jeder liebt die Bayern, vor'm Essen beten
Everyone loves Bayern-Munich, they pray before every meal

Leben die kleinen Träume, verbrennen die großen Pläne
They live the small dreams, and burn the big ones

Sounds like a frustrated millenial X'DDDDDDDDDDDD
Great song though--I have similar frustrations sometimes.  I guess it kind of resonates.

Wednesday, May 06, 2015

Simple Plan(s)

I'm thankful for my roommate Nate from college for a number of reasons.

Nate was an athlete in high school and college and got along with just about everyone--but he was still my friend.  And he wasn't apologetic about it to anyone.  Even though I was a less than sought after member of high school society.

His friendship spoke volumes--it helped that he was and is somewhat of a geeky jock.

He's someone I can disagree with, have a beer and talk about it--and do it again and again.

In college Nate introduced me to a bunch of music.  It's mostly pretty poppy stuff that I end up liking despite myself.  One of those bands was Simple Plan, a pop punk group from Montreal.

I used to listen to the "Simple Plan" album all the time in college--particularly when we were playing a game of Age of Empires together or with other guys on our floor (the track "No Love" was an ironic anthem for the four of us that shared a suite for the second half of freshman year...).

The other day I started listening to it again and everything came back.  It was exhilarating and made me a little nostalgic.

I still like to listen to Simple Plan.

Wednesday, April 22, 2015

Cheating the Polygraph

Gavin Harrison, drummer extraordinaire, has done something pretty awesome with his favorite Porcupine Tree tracks.

We're talking about a big band arrangement.  If you were one of us spellbound by floating, spinning and kaleidoscopic codeine pills during Anesthetize...you will probably appreciate the new album.  The tracks are able to stand on their own, yet pay overwhelming homage to the originals.

As someone who grew up playing trombone in band for years, this album really appealed to me--it's a great mix of big band, classical and jazzy styles all within one.  Each track has its own kind of life and direction.  Want some exquisitely played flute?  Try "What Happens Now".  Interested in a jazzy fugue?  Maybe go with "the Start of Something Beautiful".  A fleshed out big band hit is "Anesthetize.  GET SOME!

It's not something I would have ever thought to ask for, but I'm really glad it was made.

Here is the original "Anesthetize" live:


And here are some select bits from Cheating the Polygraph:


Gavin does an interview (with Laurence Cottle, arranger) on the album:



Tuesday, April 21, 2015

Janelle Monáe

I'm on a huge Janelle Monáe kick right now (even if she's not for male consumption ^o^...she is universally appealing and her message applies to everyone!).

She's talented, beautiful, thought-FULL and thought-PROVOKING!  Her fashion is clean cut and straight dirty--classic and refined.  I mean, c'mon, does she not have the best hair you've ever seen?  Hot damn.

You may be familiar with her work in collaboration with Fun.--she sings in "We Are Young."



But she is a prolific solo artist.  Some of my favorites lately are: Q.U.E.E.N. and Yoga.


Q.U.E.E.N. is brilliant and has a beat to die for.  This track is smart lyrically and actually has a message.  How odd.
And is it true we're all insane?
And I just tell 'em, "No we ain't" and get down
I heard this life is just a play with no rehearsal
I wonder will this be my final act tonight

Are we a lost generation of our people?
Add us to equations but they'll never make us equal
She who writes the movie owns the script and the sequel
So why ain't the stealing of my rights made illegal?
They keep us underground working hard for the greedy
But when it's time pay they turn around and call us needy
My crown too heavy like the Queen Nefertiti
Gimme back my pyramid, I'm trying to free Kansas City


How does Yoga do for a sexy hook?  Uh, really?  Yeah.

And...it's also an anthem for equal gender standards!
Crown on my head but the world on my shoulder
I'm too much a rebel, never do what I’m supposed ta
Bend it never break it, baby watch and I’ma show ya
Stretching on my cash, got my money doing yoga

Sometimes I'm peachy, and sometimes I'm vulgar
Even when I’m sleeping I got one eye open
You cannot police me, so get off my areola
Get off my areola
If you haven't heard of her, you're welcome.  If you had, you're welcome.  It took months of my friends Vince and Jade posting about a Janelle lady before I finally checked her out.  That's on me.  But here we are.  Let your booty do that yoga!

Baritone ukulele versatility


I don't have a lot of experience playing the ukulele.

It was in 2011 that I started playing around with my sister's concert ukulele.  I was new to guitar at the time, and didn't know any chords on the uke, but it was pretty easy to play when she showed me a few.

It was 6 months later, in the spring after my first semester in graduate school that I bought my first ukulele, to go along with the acoustic guitar I'd been playing to relax myself after work/school at night.

My first uke was a little Kala Makala tenor (MK-T).  I played it with the stock strings for a few years before finally replacing them.  My guitar playing is not great by any stretch of the imagination, and I loved that the uke let me play chords like 'F' much more easily than on the guitar, so I could play many more songs without dealing with crazy transpositions.

The fingerings for the chords were all different of course, since the tenor/concert/soprano are all tuned differently than the guitar.  No problem though, there are only 4 strings, so it came pretty quickly--the nylon strings were much easier to play in comparison to steel too!

I finally picked up a baritone after a few years of searching.  And I've found that it's basically the perfect instrument to act as bridge to both the guitar and the other sizes of ukulele.

  1. The baritone ukulele is tuned the same as the highest four strings on the guitar.  If you learn chords on the baritone, you will have an easy transition to the guitar, only needing to add two more strings.
  2. If you learn chords on the baritone and want to play other ukuleles, YOU CAN!  The chords will be different, but the fingerings still all correspond to chords.  Perhaps you learned a song on your baritone, but want to try your friend's concert--you can play the song exactly the same, it will just be a transposed version.
  3. Ukes tend to be a little cheaper than guitars.  The first one I bought was around $80 and I've been playing it non-stop for three years now.  I opted to go with a higher quality one for my baritone and have been very happy with it--you get what you pay for, but the barrier to entry is pretty low.
P.S. the Kala KA-B sounds like magic.  Gives me shivers.

Political gospel

This is a bit of a quiet rant.  And it's a little vulgar, so if you're offended, that's on you, because you read further or listened.  Of course if you have some beautiful thoughts to share that fly in my face, please feel free to do so.



Political gospel
I'm sick of all this fucking shit.
I'm tired of living in a country with an uninformed electorate (of which I am a member).
Let's elect leaders, career bigots, hypocrites and panderers, Saints of Latter days that uphold "family values".

Our system of governance is propelled by campaigns that smear instead of advocate.
Polarization and extremism are in vogue, and bipartisanship is worth fuck-all--it means you're weak.
The religious right has conflated gospel and conservatism--if you lean left, you don't love Jesus.  Because Jesus said to love those just like us and above all else to preserve our way of life.

Do you remember when we prayed to bless Reagan and the Bushes?  Now it's, "fuck the Clintons and Obama."  Why should God bless people just like us?  Didn't you hear, Obama's a Muslim and hates Christians?
Do you find it hard to believe that we have gay marriage and women pastors?  How far have we slid as a nation to bequeath human rights?

Americans aren't God's chosen people--some of God's people are Americans.  Now, stop rank-ordering sins and listen:
"Let every person be subject to the governing authorities. For there is no authority except from God, and those that exist have been instituted by God." // Romans 13:1
And just remember:
"...not my will, but yours be done." // Luke 22:42

Wednesday, April 08, 2015

Modern book of psalms?

Psalm,תהילים , is the word for praise in Hebrew.  The psalms in the Bible draw from a wide variety of themes, from lament to hymn to thanksgiving--human conditions.

The writers make their case before God, cry out and offer praise from circumstances both favorable and wretched.

The list of songs that follow are some of my own laments and praises.  They all mean something to me in one way or another, and remind me of very particular periods in my life--either of struggle or peace.  There are only three in the list that are considered "Christian music" in any real way--however all are thoughtfully written.

Seven Swans by Sufjan Stevens [lyrics]
   This album by Stevens could easily be a Psalm 119 type of chapter.  As I listen I hear wondering about how we fit into God's kingdom now and to come--what does the life in us mean?  And how are we to celebrate that?  Sacrifice perhaps--the Way has come.
Everything rises, going at it all
All the surprises in a size too small
And what if I told you
I was still in love with this?
Would you surprise us
In a size for all of me?
[from "Size Too Small"]

Be Thou My Vision, ancient hymn from Ireland [lyrics]
   Hymns make a pretty obvious choice of inclusion for a list like this.  BTMV has been a favorite of mine for many years.  It is comforting to sing of a God that is everything we need, especially in the face of our own failures, confusion and loss.
   When you sing the last verse in a church with hundreds of people around you, it's hard for your heart not to sing and swell.
Be Thou my Vision, O Lord of my heart;
Naught be all else to me, save that Thou art;
Thou my best Thought, by day or by night,
Waking or sleeping, Thy presence my light.

The Jazz (We've Got) by a Tribe Called Quest [lyrics]
   This track has a very communal feel to it.  Phife and Q-tip pay homage to their followers, fans and fellow musicians.  They celebrate the universal appeal of the music and peace/unity, in contrast to groups like N.W.A. at the time:
Do it for the strong, we do it for the meek
Boom it in your boom it in your boom it in your Jeep
Or your Honda or your Beemer or your Legend or your Benz
The rave of the town to your foes and your friends

The tranquility will make you unball your fist
For we put Hip Hop on a brand new twist

Messiah by George Frideric Handel [lyrics]
   The Messiah actually draws from the Psalms among other passages in the Bible.  It is a jaw dropping work of art.  I have had the pleasure of hearing it in it's entirety in concert, and likely several times over in my father's tan Acclaim as a child.
   Standing and singing during the chorus is like nothing else.  It can be heard, but should really be experienced.
Thus saith the Lord, the Lord of Hosts:
Yet once a little while and I will shake the heavens and the earth,
the sea and the dry land.
And I will shake all nations; and the desire of all nations shall come.
(Haggai 2:6-7)

Place to Be by Nick Drake [lyrics]
   My friend Justin put this song on a mixtape to the high school seniors in 2007; I still listen to it periodically.  Of course now I have the album, but this song alone still reminds me of the process of coming of "age".  And that it really doesn't stop--or get lighter and easier.  Sometimes it gets really, really dark--stygian.
And I was strong, strong in the sun
I thought I'd see when day is done
Now I'm weaker than the palest blue
Oh so weak in this need for you

Still Fighting It by Ben Folds [lyrics]
   This song is akin to Harry Chapin's "Cat's in the Cradle" (which I always thought was written and performed by Cat Stevens, until 5 seconds before I wrote this...).  It speaks to growing up and how no matter the way you do it, growing up isn't easy.  There will be regrets and broken hopes and dreams.  It's deliciously melancholy.  No one wants to see anyone repeat their mistakes, be it their children, or younger siblings.
It was pain
Sunny days and rain
I knew you'd feel the same things

Shall Never Lose It's Power by La Dispute [lyrics]
   La Dispute are very clear that their music does not reflect a belief in God, and that themes of spirituality aren't necessarily intended from a Christocentric perspective.  And that makes it accessible to a lot of people.  LD also point out that art is not isotropic--there are many different ways to experience a piece of art or song, aside from the meaning the writer ascribes to it.
And what's left is a heartbeat, speaking;
"hands off your fate, child, you'll bury yourself in mistakes."
Like a dream that i had of lost faith it fades away but still thunders onward
Every pulse was a hand with its palm up
Fed with bodies and bread soaked in blood
Somewhere, someday, it'll leave but tell me, someone
Where does it go?

I Don't Know by Dredg [lyrics]
   I've actually written about this song previously in 2013.  Dredg write extensively about concepts of faith, losing/lost faith and belief.
   The narrator struggles with the purpose of life, and of not knowing...anything about the nature of reality and the past.  This is essentially my anthem most days.  At the end of the song, the conclusion is: "So I'll just go on living my way".  I wish I could resolve this dissonance logically, but I can't, and no one can.  And that's where faith comes in, and why the struggle is real--if you claim to truly know, you are deluding yourself.  It's ok to be comfortable with doubts--remember Thomas?
Well I don't know what to believe anymore
But every now and then I feel a moment of awakening
But then it's gone, then it's gone, then it's gone
I'm blanketed by the warmth of ignorance

Desert Song by Hillsong UNITED [lyrics]
   DS is of brokeness and need.  It's about bringing praise when everything sucks.  Not because things are better, and not because we think they will be, but because.
All of my life
In every season
You are still God
I have a reason to sing
I have a reason to worship

Life and Love and Why by Switchfoot [lyrics]
   One of Switchfoot's more early and melancholy songs/albums really resonated with my teenage self, and still does today.  They pose real questions that deserve an answer--could it be true, can life be new?
Take away from me
This monstrosity
'Cause my futile thinking's
Not gonna solve nothing tonight
Ask me for what am I living
Or what gives me strength
That I'm willing to die for

Could it be this
Could this be bliss
Could it be all that
I ever had missed
Could it be true
Can life be new
And can I be used
Can I be used

Love and Some Verses by Iron & Wine [lyrics]
   Is love unconditional?
Love and some verses you hear
Say what you can say
Love to say this in your ear "I'll love you that way"
From your changing contentments
What will you choose for to share?

Suggestions from friends:
Hurt by Johnny Cash
Greetings from Michigan--The Great Lakes State by Sufjan Stevens
Sea Change and Morning Phase by Beck
Adagio for Strings by Barber
Great Are You Lord by All Sons & Daughters

Thursday, March 05, 2015

Hand. Cannot. Erase. album mini-review

I consume the music that Steven Wilson produces like it's my job--as if I were actually paid in the legal tender of these United States to do such a lovely thing.  So naturally I pre-ordered his new album: "Hand. Cannot. Erase."  It came in the mail yesterday.

Steven Wilson is the force behind bands such as Porcupine Tree and Blackfield.  He is a progressive rock legend.  I've been fortunate to see him with Porcupine Tree in Detroit during high school, but that was now almost 10 years ago (you haven't truly listened to Anesthetize until you've been there in person to watch codeine pills spin for 10 minutes with Wilson doing weird finger-puppetry things.  This is truth.).

Wilson's albums have both musical and lyrical depth.  He weaves layer upon layer, melody upon melody upon harmony--then he drives it at you in a truck.  This album again deals with ideas of expanding technology, how we engage with it, and how it is transforming humans socially.

It reminds me loosely of Porcupine Tree's album Fear of a Blank Planet, though that album focused more on the consequences of youth growing up sodden and besotted with information--losing curiosity.

My favorite track currently is "3 Years Older":
It's about life slowly slipping away, because you can let it.  But real life takes engagement and effort.  I think Wilson is saying it takes investment, and perhaps a healthy disengagement from the Internet and social media, back to when people shared with each other and spent time with each other.  It's easy to let a fake cyber world slip away, but a real human experience means more pain, more joy--feelings that are harder to run from, more raw.
Life is not some sinecure for you to claim
You have to pay
Beautiful, spectral, haunting, driven, meaningful, evocative, layered--this album is magnificent and I couldn't ask for more from a musical or lyrical standpoint.  SW is an artist and a genius.  I accept my status as fanboy.

Here is a clip of Wilson describing the inspiration behind the album:
In short, this album makes me want to buy a record player, so I can purchase the vinyl version of this record.  As an aside, here is great interview with Wilson talking about the album, 96/24 musical resolution and why progressive shouldn't be shortened to 'prog'. :)

Finally, here is a playlist of the album on YT.  I recommend listening all the way through.

Tuesday, February 17, 2015

the funky Abstract

[lyrics are linked to the songs they come from...most are NSFW lyrically; image credit]

I want to drink melody and splash harmony around in my mouth.
I want my breath to stink of a lyrical meal--just enough to hint at how I digested it.

Work it when you're spittin'; Imma sit with the Phoenicians digging on musicians.  Let me hear your stomping, ripping and romping.  You got the air soul kicks and crushed velvet hats?  Pick up all the pieces and make an island!

People tend to bug cos the beats are hard but gentle.  You shake it on, rocking on and on, break of dawn.  Get on my level.

Made possible by Missy Elliott,  E40, Digable Planets, A Tribe Called Quest, Jimi Hendrix and Wiz Khalifa.

Tuesday, February 10, 2015

Lyrics and singing in worship

Singing loudly and sincerely in worship is one of my favorite things.  I developed the love during LOFT on Sunday nights as a student at Calvin and never looked back.  Singing is a very emotional experience--the voices of those all around you fill the space with melody and harmony.  The sound washes over you.  In fact, it's easy to get caught up while singing in worship.  And it can be both good and bad.

To be caught up in worship of the Creator is a beautiful thing.  To be caught up in singing the words to a catchy, well written song is an entirely different thing.  It is the latter that I struggle with.

It's important to think about the lyrics--even to go as far as to periodically stop singing, to listen and evaluate.  Do I mean every word that is displayed on the screen?  Is this my honest prayer?

Most of the time I mean the things I say.  So I find myself stopping, listening.  I consider the words coming out of my mouth--do they track?  Sometimes yes, sometimes no.  If I sang every word I ever saw on the screen during every service I attended, I would be a liar.  And I have been a liar...a well meaning liar.  Perhaps you have too.

But...it's hard to feel an emotional connection while thinking about intention and meaning.  Emotion is part of worship because we are emotional beings.  There is value to it.  Striking the balance between intention and emotion in worship may be difficult, but I think it is important if we hope to bring glory to and find delight in God through our worship.

Saturday, February 15, 2014

German reggae: Seeed


I've listened to a few of the songs off Seeed's most recent album, but finally came across this gem a few days ago, a full year after its release. Augenbling. The song jumped into my bones the first time I heard it and I had to immediately buy a physical copy of the music! Gotta support those that make the good stuff :)
I'll be bumping to work with Seeed for the foreseeable future.

It took but a day or so to notice that there is also an English version called "Blink blink". I was pretty impressed to hear how fluid the lyrics are in both versions. The French singer/rapper from Niger, Féfé, is featured on the English version.

Long story short: Seeed is bringing reggae/dancehall to the next level. To be fair, I don't know enough about reggae/dancehall to know what the current level is...but I'm fairly sure this is a paradigm shift.

The English version for those interested:

Sunday, February 09, 2014

Song writing/recording

I've been putting together a recording for a little ditty about camping in Mackinaw during years past, that I composed during last summer and fall. I put it together on the ukulele and have the chords figured out as well as most of the lyrics. Some of them need a little polishing and fixing of course. I have the piano chords and inversions figured out and in the computer, so it's just a matter of making sure that I like the tempo, and how the chord progressions sound. I'm getting pretty excited about this "UntitledMackinac" project.

In the last couple days I've also decided to work on a little hiphop/rap project too. Last fall my friend Jenny received a ridiculous voicemail from her dad, caused by a butt dial. The text was pretty funny to read, so I want to set it to a sick (hopefully) beat that I've been working on, and record it as a short rap. I love working on both projects, and I'm ready to be underwhelmed by what I produce...but hey, I've got to start somewhere. It's just hard to find the time to work on them. School is a black hole :)

I received a Behringer UMX-610" midi controller for my birthday, which has been helping, and I've been putting the tracks together using LMMS, the Linux MultiMedia Studio. I may move to a different product in the future, but for now, I'm pretty happy with this setup.

Saturday, October 05, 2013

Blast from the CCM past

I stumbled upon a song by the O.C. Supertones from 1999 that I used to listen to on repeat. The song is from their album Chase the Sun.
Nothing catchier than Christian Ska...